Wednesday, December 6, 2017

Bahu Begum 1967

Films of the Urdu era in India is a niche. The ones that will come to the top of your mind maybe Mughal-e-Azam, Chaudhvin Ka Chand and Pakeezah. All beautiful films definitely but there were some more which I feel needs some mention too.


Today I watched Bahu Begum, a 1967 movie starring Meena Kumari, Ashok Kumar and Pradeep Kumar. Totally soaked in the Lucknowi haveli culture, this charming movie immediately reminded me of Mere Mehboob. Not just for the costumes but also for the family drama it represented without being over the top. I have always heard and learnt about Urdu culture as one with lots of tehzeeb and I love movies or art forms which showcase that. Every culture has its nuances and its wonderful to view or read about them.



Zeenat (Meena Kumari) is in love with Yusuf (Pradeep Kumar). He is the friend of Achchan (Johny Walker) who is a tenant at Zeenat's home. Yusuf's uncle controls his property though appears friendly. On the mandate that Yusuf's property will be his when he gets married, his uncle cleverly foils their love and marriage plan. On the other hand, Nawab Sikandar (Ashok Kumar) falls madly in love with Zeenat at first sight. He spots her at a jeweller's shopping,especially noticing that she likes a bangle but cant afford. On insistence of his caring sister, he sends a marriage proposal to Zeenat's father who happily accepts. He also gifts Zeenat the bangle she liked. Unaware of the sender she assumes it to be Yusuf and is all set to fulfill her dreams.

The two lovers

Excellent comic timing by the adorable Johny Walker





 Nawab Sikandar and his sister



Yusuf, on the other hand is sent out of town on an errand by his conniving uncle who doesn't want to let go of the property. Thus the marriage day arrives. But Zeenat goes to the dargah to meet Yusuf once if she can ,as she promises to her friend or she will return to be Nawab Sikandar's wife. Unfortunately, she faints there and the marriage confirmation to the lawyer is mistaken to be of Zeenat. An empty palanquin goes to Nawab Sikandar's house, upon the discovery of which, he and his sister sadly but bravely manage to hide the fact from the world. Zeenat meanwhile tries to return home but rejected by her angry father she ends up at a kotha where Lalitha Pawar provides her a sympathetic roof.


The angry father



 The kind stranger




 The bearings


A kind,gentle man, Nawab Sikandar tries to overcome his sadness and to get his sister married off . Such was the deep rooted culture that time ,it would be shameful if the bahu begum of the house doesn't actively involve in the marriage preparations. Thus he asks Lalitha Pawar to help him out and to send any woman to just act as the bahu bhabhi so that his sister can be married off. Fate weaves in and ofcourse it is Zeenat who comes to him and his sister. Though she has the monumental task of deciding which path she has to take.

I wish the ending was a different from what it was but nevertheless the movie stays true to what it intends-charm, culture and all the facets of a bygone era.





There never would be any words enough to outline Meena Kumari's acting prowess. There is not a single scene where she is hesitant or not Zeenat. From the ada, the moments when she knows the difference between to be sad and to be tragic or just the joy of meeting her lover, this brilliant actress does not have a thread out of place.

The male actors have also given due diligence to their roles. I'm a big fan of Ashok Kumar always. Though being a 80s kid my favourite movie of him will be Khoobsurat,hence I can never see him in a lover role! :) Always the well suited, jolly grandfather Dadamoni.

Do watch the movie if you love or miss the Muslim social era. The havelis always cast a spell don't they? Whether you see them in a painting or in a movie,they are forever so alluring.





Also take a moment to appreciate the credit screens. I love the images and the font. So pretty!






Monday, October 9, 2017

Manzil 1960

I like Dev Anand for his smile and his unique persona. He brings that boyishness to the screen without much effort. And Manzil isn't untouched by it.



A young boy who has returned to his hometown in Shimla from vilayat is demanded by his rich dad to continue the family business. But the dreamy Raj( Dev Anand) is interested in music. The only one who understands him is Pushpa (Nutan). This leads to constant tiffs with his father and ultimately he goes away to Bombay.

He slowly finds success with helpful friends like Mehmood and a prostitute who tries to make advances on him. Pushpa misunderstands him and takes decisions that significantly decides the fate of the two.



I felt the first half was too slow with unnecessary romantic scenes and the only saving grace are the songs. S.D Burman once again weaves magic with his lovely melodies. Director Mandi Burman has brought a lot of lightness to an otherwise heavy,sad and tension filled story.



Watch it for the ever boyish and endearing  performance of Dev Anand and some great acting by Mehmood too.


Wednesday, April 12, 2017

Mere Mehboob 1963

If you love shaayari and old Hindi cinema, then you will appreciate Mere Mehboob, the 1963 blockbuster movie. With such giants of the golden era of Bollywood,Rajendra Kumar and Sadhna, this beautiful lyrical movie will capture every nostalgic fancy.



Dripping in poetry, beautiful costumes and the old Lucknowi style of living, Mere Mehboob is a like watching a lovely scenery on your vacation. Inspite of this visual fancy the movie is not just a musical or a moving sonnet. With a strong script, some amazing performances and dependable supporting cast of Ashok Kumar and Johnie Walker, Mere Mehboob will not let you budge or look at your phone ,if I should speak for my generation.



Set in the famed Aligarh University romance blooms in a  innocent way between Anwar and Husna, Kumar and Sadhna respectively. The kind of romance which is veiled and shy. The popular song Mere Mehoob sets the tone for the movie. The story moves to Lucknow where Husna is shown as Nawab Akhtar's sister ,who is extremely proud of his lineage and khaandaan.

 Aligarh University


 This is the thing about old style movies especially set in Lucknow, where the nawabi grace and conduct is so neatly shown without being over the top and being obvious about it. The glamour is subtle and comely.

Nawab Akhtar is also secretly in love with Najma, Anwar's sister. Najma,who is a dancer is played by Nimmi. Though he isn't ashamed of being in love with her or rebukes her profession , he is conscious of the society and thinks it against his refinement to marry her and make her begum of his khaandaani makaan. And a beautiful one at that!





Without any overly emotional dialogues and the obvious shaayari, the movie glides beautifully through showing every character's role in this story of sacrifice, family bond, prestige and love.

 Anwar with his sister


The nazaakat between the lovers


Watch for the Lucknowi andaz,the charming Sadhna or just some classic brilliance.

Old time Lucknow

Director - H.S. Rawail
Music - Naushad